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Samsara

Aakash Odedra Company

Choreographers/Performers: Aakash Odedra, Hu Shenyuan

Composer: Nicki Wells

Costume: K H Lee

Dramaturg: Lou Cope

Light: Yaron Abulafia

Set Designer: Tina Tzoka

Technical Director: Salvatore Scollo

Photos by © Nirvair Singh

World premiere at the Arts Centre Melbourne – March 2020

Presented as part of Asia TOPA

Commissioned by Bagri Foundation

Co-producing/commissioning partners of Samsara: Asia TOPA; Arts Centre Melbourne; Birmingham Hippodrome; Curve Leicester; the Royal Ballet; Shanghai International Dance Centre, Chaillot – National theatre for dance, Paris.

Supporting partners of Samsara: British Council; Jacob’s Pillow; Peacock Contemporary Dance Company (Kunming, China); Playking Foundation; Sidney Myer Fund; Victoria Government.

Dance

Samsara, inspired by the classic Chinese novel Journey to the West, traces the steps we take, both forward and backward, in search of our higher selves. Drawing on thinking and imagery at the heart of Buddhist philosophy, it explores some of the 81 obstacles and 6 states of mind that can hold us back. Epic mythological storytelling merges with personal experience and anecdote from two globally opposite perspectives, in a highly visual landscape. ing on thinking and imagery at the heart of Buddhist philosophy, it explores some of the 81 obstacles and 6 states of mind that can hold us back. Epic mythological storytelling merges with personal experience and anecdote from two globally opposite perspectives, in a highly visual landscape.

"Technical, rigorous, virtuosic and transporting, Samsara is at once hugely theatrical and deeply private... Meanwhile, back on the roadless road, Dr Yaron Abulafia’s lighting design is itself a form of dance. More than simple fx or colourful atmos, it is exactly what a theatrical device should be, adding without being intrusive, building without crowding out. ‘Pure genius’ would not be overstating it."
(Dance Informa Magazine, Paul Ransom)



"Yaron Abulafia’s lighting design is stunning and sensitively attuned to the work. The stage becomes a sacred space with square light walls mimicking the architecture of temples and tombs, or patterned light creating a mosaic tile effect. Often, the light feels viscous as the dancers reach into it, scooping it up and letting it drip from their bodies. There’s a sense of monastic reverence in the lighting. At one point, a thick sheet of light becomes the backdrop, shrouding the musicians."
(ArtsHub, Jinghua Qian)